Basilica di San Paolo
Basilica di San Paolo รีวิว, Palazzolo Acreide
Basilica di San Paolo
Basilica di San Paolo
4.5
ความคิดเห็นของนักท่องเที่ยว
แนะนำให้แก้ไขเพื่อปรับปรุงสิ่งที่เราแสดง
ปรับปรุงข้อมูลสถานที่ให้บริการนี้มุมมองเต็มรูปแบบ
พื้นที่
ที่อยู่
สถานที่ใกล้เคียงที่ดีที่สุด
ร้านอาหาร
39 ภายใน 5 กม.
Trattoria del Gallo
469
41 เมตร฿฿ - ฿฿฿ • อิตาลี • เมดิเตอร์เรเนียน • บาร์บีคิว
Al Punto Giusto
188
0.3 กม.฿฿ - ฿฿฿ • อิตาลี • ผับเบียร์ • พิซซ่า
Scrigno dei Sapori
479
0.4 กม.฿฿ - ฿฿฿ • อิตาลี • อาหารทะเล • เมดิเตอร์เรเนียน
Vecchio Molino
398
0.5 กม.฿฿ - ฿฿฿ • อิตาลี • พิซซ่า • เมดิเตอร์เรเนียน
Quel che c'e
294
0.4 กม.฿฿ - ฿฿฿ • อิตาลี • เมดิเตอร์เรเนียน • ซิซิลี
La Taverna di Bacco
328
0.4 กม.฿฿ - ฿฿฿ • อิตาลี • พิซซ่า • เมดิเตอร์เรเนียน
Pasticceria Caprice
228
0.4 กม.฿ • ของหวาน • อิตาลี • บาร์
Ristorante Andrea
415
0.4 กม.฿฿ - ฿฿฿ • อิตาลี • เมดิเตอร์เรเนียน • ยุโรป
Antica Pasticceria Corsino
366
0.6 กม.฿ • ของหวาน • อิตาลี • ร้านกาแฟ
Settecento Ristorante
74
0.3 กม.฿฿฿฿ • อิตาลี • อาหารทะเล • เมดิเตอร์เรเนียน
สถานที่ท่องเที่ยว
28 ภายใน 10 กม.
Centro Espositivo Museale Delle Tradizioni Nobiliari
3
42 เมตรพิพิธภัณฑ์ประวัติศาสตร์
Chiesa Madre
6
49 เมตรโบสถ์และวิหาร
Castello di Palazzolo Acreide o Rocca di Castelmezzano
21
53 เมตรจุดที่น่าสนใจและสถานที่สำคัญ • ปราสาท
Casa Museo Antonino Uccello
56
0.2 กม.พิพิธภัณฑ์เฉพาะทาง
Basilica di San Sebastiano - World Heritage Site
105
0.4 กม.จุดที่น่าสนใจและสถานที่สำคัญ • โบสถ์และวิหาร
Presepe Vivente Palazzolo Acreide
1
0.3 กม.กิจกรรมทางวัฒนธรรม
Pasticceria Caprice
41
0.4 กม.อาหารและเครื่องดื่มอื่นๆ
Ufficio turistico comunale di Palazzolo Acreide
2
0.3 กม.ศูนย์นักท่องเที่ยว
Museo dell'Informatica Funzionante
15
0.4 กม.พิพิธภัณฑ์วิทยาศาสตร์
Museo archeologico Gabriele Judica
16
0.5 กม.พิพิธภัณฑ์ประวัติศาสตร์
มีส่วนร่วม
4.5
56 รีวิว
ดีเยี่ยม
35
ดีมาก
20
ธรรมดา
1
แย่
0
แย่มาก
0
Giuseppe G
Caltanissetta, อิตาลี2,598 ผลงาน
พ.ค. ค.ศ. 2022 • คู่รัก
Chiesa barocca austera molto bella all’interno ci sono delle cappelle degli altari di notevole qualità è un trionfo del barocco anche se ovviamente abbiamo visto sempre di meglio
เขียนเมื่อ 16 พฤษภาคม ค.ศ. 2022
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
IlyaNJ
Marlboro, นิวเจอร์ซีย์787 ผลงาน
ก.ย. ค.ศ. 2021
Great church, part of the UNESCO Val di Noto serial site. We were the only visitors, and a local guide, Franco, gave us a whirlwind tour of the church (in Italian, which we understand well enough) and even introduced us to the padre (which has never happened to us before). At the end, of course, he made it clear that we had to leave a contribution to the church, but it was worth the experience. The church has a number of unique features, such as twisted columns (not really found in Sicilian Baroque elsewhere), and is very beautiful inside and out.
เขียนเมื่อ 7 ตุลาคม ค.ศ. 2021
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
michele p
ปาแลร์โม, อิตาลี3,088 ผลงาน
ส.ค. ค.ศ. 2021
Lungo la via Roma si trova la chiesa dedicata al patrono del paese, San Paolo. Presenta un’elegante facciata barocca di epoca settecentesca ornata di colonne e statue. L’interno, a tre navate, è un vero scrigno d’arte, dalla ricchissima volta alle possenti colonne tortili che troneggiano nell’abside ed ai numerosi dipinti di ottima fattura opera di pittori di fama. La rilevanza della basilica è tale che dal 2002 l’ U.N.E.S.C.O. l’ha dichiarata patrimonio dell’ umanità.
เขียนเมื่อ 25 สิงหาคม ค.ศ. 2021
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
phat_dawg_21
อัลฟาเรตตา, จอร์เจีย12,262 ผลงาน
มิ.ย. ค.ศ. 2021
This is the most important church in Palazzolo Acreide. It was completed in 1657 on the site of an earlier primitive church of Santa Sofia. It was repaired in its current form after the earthquake of 1693. The Santa Lucia earthquake of December 1990 caused another long period of closure for repair.
We visited in early June when the church was preparing for the Festival of San Paolo which takes place between June 26 – 29 of each year. We were fortunate to be greeted by a lay person who was happy to take us through the church and sacristy, showing us the relics and the statue that would be paraded through the streets in a few weeks.
From him we learned that the Basilica plan consists of three naves divided by pillars. There are two side apses that enclose the two minor aisles. There are eleven altars which lean against the walls and in the various rooms, two of which are located in the side chapels.
The interior is decorated with eight autographed or attributed paintings, for the most part placed to adorn the altars of the right aisle. These were done by painter Giuseppe Crestadoro between the end of the 1700s and the early 1800s.
On the main altar there is a Crucifix from the 16th or 17th century. There is a painting depicting the Conversion of Saint Paul attributed to Giuseppe Crestadoro. Behind the canvas is a hidden niche where the statue of St. Paul is usually kept. The icon is unveiled and removed for the two main feasts of the saint in June and January.
The statue was sculpted by Vincenzo Lorefice from Ragusa in 1567. It has undergone several restorations which have altered its original style. When it was delivered in the 16th century the statue was painted in tempera and with uniform colors, blue for the robe and red for the mantle. In 1681, it seems to have undergone its first restoration. Following the earthquake of 1693, the statue suffered serious damage, mostly to the face, so a statuary from Messina, in 1695, totally rebuilt the head.
In the sacristy there is a valuable cassarizzo or cabinet carved in 1778 by Giovanni Torrisi Catania and Gaetano Rametta of Syracuse. There are four large closets with chairs, kneeling stools, chests, and four valuable canvases.
We visited in early June when the church was preparing for the Festival of San Paolo which takes place between June 26 – 29 of each year. We were fortunate to be greeted by a lay person who was happy to take us through the church and sacristy, showing us the relics and the statue that would be paraded through the streets in a few weeks.
From him we learned that the Basilica plan consists of three naves divided by pillars. There are two side apses that enclose the two minor aisles. There are eleven altars which lean against the walls and in the various rooms, two of which are located in the side chapels.
The interior is decorated with eight autographed or attributed paintings, for the most part placed to adorn the altars of the right aisle. These were done by painter Giuseppe Crestadoro between the end of the 1700s and the early 1800s.
On the main altar there is a Crucifix from the 16th or 17th century. There is a painting depicting the Conversion of Saint Paul attributed to Giuseppe Crestadoro. Behind the canvas is a hidden niche where the statue of St. Paul is usually kept. The icon is unveiled and removed for the two main feasts of the saint in June and January.
The statue was sculpted by Vincenzo Lorefice from Ragusa in 1567. It has undergone several restorations which have altered its original style. When it was delivered in the 16th century the statue was painted in tempera and with uniform colors, blue for the robe and red for the mantle. In 1681, it seems to have undergone its first restoration. Following the earthquake of 1693, the statue suffered serious damage, mostly to the face, so a statuary from Messina, in 1695, totally rebuilt the head.
In the sacristy there is a valuable cassarizzo or cabinet carved in 1778 by Giovanni Torrisi Catania and Gaetano Rametta of Syracuse. There are four large closets with chairs, kneeling stools, chests, and four valuable canvases.
เขียนเมื่อ 6 สิงหาคม ค.ศ. 2021
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
Tommaso612
โรม, อิตาลี493 ผลงาน
ต.ค. ค.ศ. 2020
Questa chiesa fu costruita nel Seicento, sulle rovine di un precedente edificio di culto dedicato a Santa Sofia. Sul finire di quel secolo San Paolo fu proclamato patrono di Palazzolo Acreide, in sostituzione della Vergine Odigitria, che era venerata nella vicina chiesa di San Sebastiano. Da questa decisione, mai cambiata, nacque l’accesa rivalità tra i “Sanpaolari” e i “Sambastianari”, divisi non solo dalla devozione ma anche dall’estrazione sociale: in genere, i primi erano gli aristocratici e i contadini dei dintorni; i secondi erano borghesi, artigiani e liberi professionisti. I dissidi, inaspriti nella metà del XIX secolo quando la Chiesa di San Sebastiano ricevette il titolo di parrocchia, perdurano ancor oggi, seppur molto attenuati e confinati alla sfera folkloristica. È inutile, a mio avviso, cercare di capire quale sia la più importante chiesa di Palazzolo Acreide; si consideri piuttosto che si tratta di due grandi e belle chiese, entrambe riconosciute nel 2002 “Patrimonio Culturale dell’Umanità” dall’UNESCO.
Distrutta dal catastrofico sisma del 1693 e ricostruita qualche decina d’anni dopo nell’aspetto attuale, la basilica di San Paolo presenta una sontuosa facciata a campanile, in perfetto stile barocco siciliano. La struttura è divisa in tre livelli da due marcati cornicioni, sopra ognuno dei quali poggia una balconata decorata dalle statue degli apostoli e cinta da una sottile ringhiera metallica. Il livello inferiore costituisce un arioso loggiato, con tre arcate frontali e due laterali; l’arcata più grande, racchiusa tra due coppie di possenti colonne a capitello corinzio, è posizionata di fronte all’ingresso principale. Le due arcate frontali minori sono chiuse in basso da eleganti balaustre. Il livello intermedio è limitato ad una sola arcata (simile a quella in basso) che ospita le statue di Gesù Cristo e di due angioletti. Il livello più alto, concluso da un terrazzino sul quale svetta una cuspide a bulbo, contiene la cella campanaria. Un’ampia scalinata, posta alla base della facciata, esalta lo slancio verticale della chiesa sull’omonima piazzetta. Un altro ingresso si trova sul lato sinistro della chiesa.
L’interno è a tre navate; le due laterali terminano in altrettante absidi. L’altare maggiore, sostenuto da due coppie di possenti colonne tortili, ospita al suo interno la veneratissima statua di San Paolo con il libro nella mano sinistra e la spada sulla destra, nella consueta iconografia del personaggio. L’antico e prezioso oggetto (realizzato nel Cinquecento dallo scultore ragusano Francesco Lorefice, e fortunosamente recuperato tra le macerie della chiesa precedente) è stato molto alterato da una serie di restauri successivi. La statua è visibile soltanto in occasione dei festeggiamenti del Santo Patrono; in tutti gli altri periodi dell’anno essa resta celata dietro una tela settecentesca del palermitano Giuseppe Crestadoro, che raffigura la celebre folgorazione sulla Via di Damasco. Altre opere di questo pittore decorano gli altari laterali della chiesa e le absidi laterali, insieme a quelle realizzate da altri artisti siciliani attivi nel Seicento e nel Settecento.
Il 29 giugno, con un cerimoniale piuttosto complesso, la statua del patrono viene estratta dall’interno dell’altare e trasportata a spalla fuori dalla chiesa (per l'occasione decorata con vistosi drappi rossi) tra esplosioni di mortaretti, invocazioni dei devoti e lanci di miriadi di piccole fettucce colorate (gli “nzareddi”). Comincia quindi una solenne processione per le vie della cittadina alla quale, in particolare, partecipano “ex voto” un gran numero di donne scalze, mentre neonati e bimbi sono presentati nudi al simulacro del Santo affinché costui protegga le loro giovani vite. Non mancano i tradizionali dolcetti (le “cuddure”) che nell’occasione vengono benedetti e poi offerti ai fedeli. Il rituale, com’è logico attendersi, ricalca sostanzialmente quello seguito durante la festa di San Sebastiano; i due gruppi rivaleggiano anche nel fare i festeggiamenti più sontuosi.
Distrutta dal catastrofico sisma del 1693 e ricostruita qualche decina d’anni dopo nell’aspetto attuale, la basilica di San Paolo presenta una sontuosa facciata a campanile, in perfetto stile barocco siciliano. La struttura è divisa in tre livelli da due marcati cornicioni, sopra ognuno dei quali poggia una balconata decorata dalle statue degli apostoli e cinta da una sottile ringhiera metallica. Il livello inferiore costituisce un arioso loggiato, con tre arcate frontali e due laterali; l’arcata più grande, racchiusa tra due coppie di possenti colonne a capitello corinzio, è posizionata di fronte all’ingresso principale. Le due arcate frontali minori sono chiuse in basso da eleganti balaustre. Il livello intermedio è limitato ad una sola arcata (simile a quella in basso) che ospita le statue di Gesù Cristo e di due angioletti. Il livello più alto, concluso da un terrazzino sul quale svetta una cuspide a bulbo, contiene la cella campanaria. Un’ampia scalinata, posta alla base della facciata, esalta lo slancio verticale della chiesa sull’omonima piazzetta. Un altro ingresso si trova sul lato sinistro della chiesa.
L’interno è a tre navate; le due laterali terminano in altrettante absidi. L’altare maggiore, sostenuto da due coppie di possenti colonne tortili, ospita al suo interno la veneratissima statua di San Paolo con il libro nella mano sinistra e la spada sulla destra, nella consueta iconografia del personaggio. L’antico e prezioso oggetto (realizzato nel Cinquecento dallo scultore ragusano Francesco Lorefice, e fortunosamente recuperato tra le macerie della chiesa precedente) è stato molto alterato da una serie di restauri successivi. La statua è visibile soltanto in occasione dei festeggiamenti del Santo Patrono; in tutti gli altri periodi dell’anno essa resta celata dietro una tela settecentesca del palermitano Giuseppe Crestadoro, che raffigura la celebre folgorazione sulla Via di Damasco. Altre opere di questo pittore decorano gli altari laterali della chiesa e le absidi laterali, insieme a quelle realizzate da altri artisti siciliani attivi nel Seicento e nel Settecento.
Il 29 giugno, con un cerimoniale piuttosto complesso, la statua del patrono viene estratta dall’interno dell’altare e trasportata a spalla fuori dalla chiesa (per l'occasione decorata con vistosi drappi rossi) tra esplosioni di mortaretti, invocazioni dei devoti e lanci di miriadi di piccole fettucce colorate (gli “nzareddi”). Comincia quindi una solenne processione per le vie della cittadina alla quale, in particolare, partecipano “ex voto” un gran numero di donne scalze, mentre neonati e bimbi sono presentati nudi al simulacro del Santo affinché costui protegga le loro giovani vite. Non mancano i tradizionali dolcetti (le “cuddure”) che nell’occasione vengono benedetti e poi offerti ai fedeli. Il rituale, com’è logico attendersi, ricalca sostanzialmente quello seguito durante la festa di San Sebastiano; i due gruppi rivaleggiano anche nel fare i festeggiamenti più sontuosi.
เขียนเมื่อ 19 มกราคม ค.ศ. 2021
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
Elwood128
Marudo, อิตาลี719 ผลงาน
ต.ค. ค.ศ. 2020
Tra tutte le chiese forse la più vistosa e maestosa, prospetto d’impatto con la piccola scalinata. Possibile vederla dall’alto salendo dalla scalinata laterale. Forse , senza far torto alle altre chiese è la più importante e quella per cui si fa la festa forse più coreografica e partecipata. Bellissima la festa del patrono con tanti riti e tradizioni da svelare, molte delle quali non si fanno più per vari motivi (i buoi e altri animali in chiesa per ringraziamento, i ciarauli, o la strisciata della lingua). La chiesa è comunque bellissima, con il sole, al tramonto, illuminata. Da non perdere.
เขียนเมื่อ 14 พฤศจิกายน ค.ศ. 2020
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
Olaf W
เวอร์เดน, เยอรมนี661 ผลงาน
ก.ค. ค.ศ. 2020
Auch diese Kirche sieht von außen toll aus, jedoch ist eine Besichtigung nicht möglich, da diese mittags geschlossen ist
เขียนเมื่อ 18 สิงหาคม ค.ศ. 2020
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
Dario L
Modica, อิตาลี160 ผลงาน
ส.ค. ค.ศ. 2020
A mani basse la chiesa più bella della città (da fuori almeno). Il porticato della facciata è una cosa più unica che rara per le chiese di provincia, soprattutto nel Val di Noto, dove credo di aver visto per la prima volta ciò.
เขียนเมื่อ 16 สิงหาคม ค.ศ. 2020
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
giuseppe Toro
Gatteo, อิตาลี3,315 ผลงาน
ต.ค. ค.ศ. 2019 • คู่รัก
Spettacolare basilica a Palazzolo la più bella dopo la cattedrale. Facciata molto bella e particolare con inserti in marmo curato e creati da Gibilisco. Merita una visita
เขียนเมื่อ 15 ตุลาคม ค.ศ. 2019
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
tigro76
เวเนโต, อิตาลี337 ผลงาน
ส.ค. ค.ศ. 2019 • คู่รัก
Bellissima la chiesa che da su tutta la piazza, noi siamo stati fortunati perché siamo arrivati un giorno prima della festa quindi era tutta addobbata a festa.
Merita una visita
Merita una visita
เขียนเมื่อ 30 สิงหาคม ค.ศ. 2019
รีวิวนี้เป็นความเห็นหรือทัศนะของสมาชิก TripAdvisor และไม่ใช่ของ TripAdvisor LLC
Marthese B
Rabat, null, Malta7 ผลงาน
Any apartments for rent near Piazza San Pablo pls?
Steve L
Haz-Zebbug, มอลตา26 ผลงาน
Can anyone give me the dates that this feast takes place on? Is it just the 29th June?
The festival takes place from 26 June to 6 July ... the most spectacular days are on 28 and 29 June , these should not be missed .
มีสิ่งใดขาดหายหรือไม่ถูกต้องหรือไม่
แนะนำให้แก้ไขเพื่อปรับปรุงสิ่งที่เราแสดง
ปรับปรุงข้อมูลสถานที่ให้บริการนี้คำถามที่พบบ่อยเกี่ยวกับ Basilica di San Paolo
- โรงแรมใกล้ๆ Basilica di San Paolo:
- (0.01 กม.) Casa dei Giurati
- (0.23 กม.) I Dammusi
- (0.28 กม.) Dimora di Catullo - Ospitalita di Charme
- (0.31 กม.) Happy Holiday
- (0.33 กม.) Rta Palazzo Judica
- ร้านอาหารใกล้ๆ Basilica di San Paolo:
- (0.04 กม.) Trattoria del Gallo
- (0.33 กม.) Al Punto Giusto
- (0.20 กม.) Cantina Settecento
- (0.28 กม.) Settecento Ristorante
- (0.38 กม.) Scrigno dei Sapori