Duomo di Lodi
Duomo di Lodi
4
7:30 น. - 12:00 น., 15:30 น. - 19:00 น.
วันจันทร์
7:30 น. - 12:00 น.
15:30 น. - 19:00 น.
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7:30 น. - 12:00 น.
15:30 น. - 19:00 น.
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7:30 น. - 12:00 น.
15:30 น. - 19:00 น.
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7:30 น. - 12:00 น.
15:30 น. - 19:00 น.
วันศุกร์
7:30 น. - 12:00 น.
15:30 น. - 19:00 น.
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7:30 น. - 12:00 น.
15:30 น. - 19:00 น.
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7:30 น. - 12:00 น.
15:30 น. - 19:00 น.
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Celux
Rivoli, อิตาลี9,709 ผลงาน
ส.ค. ค.ศ. 2024 • คู่รัก
Building of considerable size, one of the largest churches not only in Lombardy.
The beginning of construction is the beginning of 1100, but very little remains of that era, part of the walls and perhaps the two lions stylophores that support the columns of the portal. The style is Gothic and large, demonstrating the remodeling that took place in the 16th century.
Inside, many works by Callisto Piazza, an appreciable painter from Lodi
The beginning of construction is the beginning of 1100, but very little remains of that era, part of the walls and perhaps the two lions stylophores that support the columns of the portal. The style is Gothic and large, demonstrating the remodeling that took place in the 16th century.
Inside, many works by Callisto Piazza, an appreciable painter from Lodi
เขียนเมื่อ 22 กันยายน ค.ศ. 2024
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vai0
ตูริน, อิตาลี1,977 ผลงาน
เม.ย. ค.ศ. 2024 • เพื่อนๆ
Imposing basilica in the parlor of the city, beautiful facade and rich interior with frescoes and works of notable cultural interest.
เขียนเมื่อ 12 เมษายน ค.ศ. 2024
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LivIngrid
Brembio, อิตาลี311 ผลงาน
ก.พ. ค.ศ. 2024 • คู่รัก
Large city cathedral, inside which the relics of the saint to whom it is dedicated are preserved (San Bassiano, exhibited for the day of the patron saint on 19/1). The Romanesque style dominates the structure, which is large, but not very bright.
เขียนเมื่อ 10 เมษายน ค.ศ. 2024
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Stefano91
มิลาน, อิตาลี92,769 ผลงาน
ม.ค. ค.ศ. 2024 • เพื่อนๆ
We saw the Cathedral of Lodi again on January 19th, on the occasion of the patronal feast of San Bassiano, who lived in the 4th century, the first Bishop of Lodi and Patron Saint of the city.
The Cathedral is always beautiful, begun in 1158 together with the foundation of the city by Barbarossa, after the Milanese had destroyed the ancient Roman city of Laus Pompeia (now Lodi Vecchio), an ally of the Emperor.
Over the centuries it has undergone numerous changes and was brought back to its primitive Romanesque style around the middle of the twentieth century.
It deserves to be seen.
The Cathedral is always beautiful, begun in 1158 together with the foundation of the city by Barbarossa, after the Milanese had destroyed the ancient Roman city of Laus Pompeia (now Lodi Vecchio), an ally of the Emperor.
Over the centuries it has undergone numerous changes and was brought back to its primitive Romanesque style around the middle of the twentieth century.
It deserves to be seen.
เขียนเมื่อ 22 มกราคม ค.ศ. 2024
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Tommaso612
โรม, อิตาลี536 ผลงาน
ก.ย. ค.ศ. 2023 • คู่รัก
In the 12th century Lodi (heir to the Laus Pompeia of the Roman era) was sacked and devastated by the Milanese, due to its loyalty to the Holy Roman Empire. Several years later Federico Barbarossa defeated the Milanese and, as a sign of gratitude towards the people of Lodi, financed the reconstruction of the city a few kilometers from the previous one. Materials taken from the rubble of the old town center were largely used in the works. Thus, the current cathedral of Lodi was born in Lombard Romanesque style, dedicated to the Virgin of the Assumption. On the other hand, the nearby early Christian cathedral of Lodi Vecchia (dating back to the 4th century), which until that time had been the main religious building in the Lodi area, gradually began to lose importance until it was demolished at the beginning of the 19th century.
In the sixteenth century the Cathedral of Santa Maria Assunta underwent significant restoration work, which had to be repeated two centuries later. Both of these interventions significantly altered the appearance of the building, which (to the extent possible) was brought back to its medieval original following further works completed in the 1960s. In 1970 the cathedral was elevated to the rank of minor basilica by Paul VI.
The lower part of the sloping façade is dominated by an elegant Gothic style portal with a single arch, supported by two slender columns which in turn rest on two stone lions. The portal is flanked by two splendid Renaissance-style mullioned windows, created during the sixteenth-century restorations. The middle band houses a beautiful rose window made of two-coloured marble, white and light brown. Above the rose window, inserted in a charming little shrine, there is a bronze statue of San Bassiano, a copy of the original kept inside the church. Even higher up, a series of blind arches crown the entire façade, made asymmetrical by the presence of the robust sixteenth-century bell tower which rises to its right. The bell tower is ventilated by two openings on each side. Only some evidence remains of the beautiful fifteenth-century cloister which until some time ago stood near the church.
The interior of the church is in the shape of a Latin cross, with three naves punctuated by two rows of powerful columns on which large round arches rest. On one of these columns there is the original thirteenth-century gilded copper statue of San Bassiano, which I mentioned previously. Just below the large cross vaults of the ceiling, ventilated by small mullioned windows, there are two suggestive women's galleries: this is how the raised parts of the churches reserved for women were called in the early Middle Ages, who at the time had to remain separated from men during religious functions . The presbytery and the apse (the latter decorated with a beautiful mosaic, a twentieth-century work by Aligi Sassu) are raised compared to the rest of the church, to make the activities of the officiating clergy better visible. The main altar, dating back to the eighteenth century, is made of polychrome marble. The interior of the church is embellished with a series of works created by Lombard artists in the 16th and 17th centuries, among which stands out a valuable polyptych attributed to Callisto Piazza, depicting the "Massacre of the Innocents".
Although restored several times over the centuries, the crypt is the oldest part of the church. The remains of San Bassiano have been kept here since the construction of the church. During the sack of Lodi the relics were plundered by the Milanese, but then it was Barbarossa himself who returned them to the people of Lodi with a solemn ceremony in which the pro-imperial antipope Victor IV also took part. Saint Bassianus lived in the 4th century and was the first bishop of Laus Pompeia, which already at the time hosted a large community of Christians. The saint, patron saint of Lodi and other places in Northern Italy, is celebrated on January 19th.
Immediately to the left of the Duomo stands the elegant Palazzo Broletto, home to the Town Hall. Both buildings overlook the central Piazza della Libertà.
In the sixteenth century the Cathedral of Santa Maria Assunta underwent significant restoration work, which had to be repeated two centuries later. Both of these interventions significantly altered the appearance of the building, which (to the extent possible) was brought back to its medieval original following further works completed in the 1960s. In 1970 the cathedral was elevated to the rank of minor basilica by Paul VI.
The lower part of the sloping façade is dominated by an elegant Gothic style portal with a single arch, supported by two slender columns which in turn rest on two stone lions. The portal is flanked by two splendid Renaissance-style mullioned windows, created during the sixteenth-century restorations. The middle band houses a beautiful rose window made of two-coloured marble, white and light brown. Above the rose window, inserted in a charming little shrine, there is a bronze statue of San Bassiano, a copy of the original kept inside the church. Even higher up, a series of blind arches crown the entire façade, made asymmetrical by the presence of the robust sixteenth-century bell tower which rises to its right. The bell tower is ventilated by two openings on each side. Only some evidence remains of the beautiful fifteenth-century cloister which until some time ago stood near the church.
The interior of the church is in the shape of a Latin cross, with three naves punctuated by two rows of powerful columns on which large round arches rest. On one of these columns there is the original thirteenth-century gilded copper statue of San Bassiano, which I mentioned previously. Just below the large cross vaults of the ceiling, ventilated by small mullioned windows, there are two suggestive women's galleries: this is how the raised parts of the churches reserved for women were called in the early Middle Ages, who at the time had to remain separated from men during religious functions . The presbytery and the apse (the latter decorated with a beautiful mosaic, a twentieth-century work by Aligi Sassu) are raised compared to the rest of the church, to make the activities of the officiating clergy better visible. The main altar, dating back to the eighteenth century, is made of polychrome marble. The interior of the church is embellished with a series of works created by Lombard artists in the 16th and 17th centuries, among which stands out a valuable polyptych attributed to Callisto Piazza, depicting the "Massacre of the Innocents".
Although restored several times over the centuries, the crypt is the oldest part of the church. The remains of San Bassiano have been kept here since the construction of the church. During the sack of Lodi the relics were plundered by the Milanese, but then it was Barbarossa himself who returned them to the people of Lodi with a solemn ceremony in which the pro-imperial antipope Victor IV also took part. Saint Bassianus lived in the 4th century and was the first bishop of Laus Pompeia, which already at the time hosted a large community of Christians. The saint, patron saint of Lodi and other places in Northern Italy, is celebrated on January 19th.
Immediately to the left of the Duomo stands the elegant Palazzo Broletto, home to the Town Hall. Both buildings overlook the central Piazza della Libertà.
เขียนเมื่อ 20 ธันวาคม ค.ศ. 2023
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salvatore700
Magenta, อิตาลี9,376 ผลงาน
มิ.ย. ค.ศ. 2023
Facciata in cotto, romanica, con coronamento ad archetti, un protiro gotico che poggia su sottili colonne sorrete da leoni di pietra; un grande rosone centrale e due bifore rinascimentali. Presenta inoltre una edicola con la statua di San Bassiano, monofore e il campanile. Interno a tre navate separate da archi a tutto sesto su colonne circolari in cotto. La navata centrale è coperta con volte a crociera, le navate laterali sono sormontate da matronei che si aprono sulla navata centrale con bifore. Nel presbiterio L'altare maggiore barocco in marmi policromi e bronzo, nel catino dell'abside un mosaico. Ampia cripta, sorretta da colonne con arcate decorate in cotto e soffitto leggermente a crociera. L'interno e la cripta custodiscono diverse opere d'arte, sculture, affreschi, frammenti di affreschi alle pareti, trittici e cappelle decorate.
เขียนเมื่อ 17 มิถุนายน ค.ศ. 2023
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Stefano91
มิลาน, อิตาลี92,769 ผลงาน
เม.ย. ค.ศ. 2023
Durante una recente gita a Lodi abbiamo rivisitato, ancora una volta, il bellissimo Duomo.
Risale alla ricostruzione della città dopo che fu distrutta dai milanesi in quanto alleata del Barbarossa; la prima pietra fu posta nel giorno stesso (3 agosto 1158) in cui iniziarono i lavori alla città.
Non tanto appariscente la facciata, se si esclude l'ingresso con i due leoni in pietra, mentre è l'interno ad essere molto bello, in stile romanico e con la cripta in cui si trova il sepolcro di San Bassiano, primo Vescovo di Lodi del IV secolo a.C.
Merita di essere visitato.
Risale alla ricostruzione della città dopo che fu distrutta dai milanesi in quanto alleata del Barbarossa; la prima pietra fu posta nel giorno stesso (3 agosto 1158) in cui iniziarono i lavori alla città.
Non tanto appariscente la facciata, se si esclude l'ingresso con i due leoni in pietra, mentre è l'interno ad essere molto bello, in stile romanico e con la cripta in cui si trova il sepolcro di San Bassiano, primo Vescovo di Lodi del IV secolo a.C.
Merita di essere visitato.
เขียนเมื่อ 8 พฤษภาคม ค.ศ. 2023
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_RoOoSmA_
Province of Milan, อิตาลี926 ผลงาน
ก.พ. ค.ศ. 2023
Cattedrale molto piacevole, non imponentissima vista dall'esterno ma comunque degna e pregna di interessanti scorci all'interno. Le opere affrescate sentono leggermente il trascorrere del tempo ma compensano la visita, gli anfratti seminterrati e la cripta funeraria in corrispondenda dell'altare. Tappa obbligatoria
เขียนเมื่อ 14 กุมภาพันธ์ ค.ศ. 2023
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Nuwanda
2,470 ผลงาน
ก.พ. ค.ศ. 2023 • คู่รัก
Di origine molto antica (XII secolo), si affaccia sulla piazza principale della città.
Stretto tra edifici civili e la struttura che ospita gli uffici comunali, da' l'impressione di essere un po' "soffocato": la facciata esterna non è particolarmente attraente, nonostante l'elegante rosone centrale, ed il campanile appare piuttosto massiccio.
Non appena varcata la soglia, la cattedrale appare invece in tutta la sua imponenza e maestosità: enormi colonne sostengono volte a crociera in evidente stile romanico, divise in tre navate. Sui margini alcune cappelle laterali contenenti alcuni dipinti di notevole pregio, mentre la zona absidale è sopraelevata rispetto al resto dell'edificio.
La parte più antica è rappresentata dalla cripta, nella quale sono custoditi i resti del Santo patrono della città.
Stretto tra edifici civili e la struttura che ospita gli uffici comunali, da' l'impressione di essere un po' "soffocato": la facciata esterna non è particolarmente attraente, nonostante l'elegante rosone centrale, ed il campanile appare piuttosto massiccio.
Non appena varcata la soglia, la cattedrale appare invece in tutta la sua imponenza e maestosità: enormi colonne sostengono volte a crociera in evidente stile romanico, divise in tre navate. Sui margini alcune cappelle laterali contenenti alcuni dipinti di notevole pregio, mentre la zona absidale è sopraelevata rispetto al resto dell'edificio.
La parte più antica è rappresentata dalla cripta, nella quale sono custoditi i resti del Santo patrono della città.
เขียนเมื่อ 5 กุมภาพันธ์ ค.ศ. 2023
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Roberta V
Rho, อิตาลี6,180 ผลงาน
พ.ค. ค.ศ. 2022
il Duomo di Lodi è una delle architetture romaniche più rilevante e maestosa di tutta la Lombardia.
Sul portale della facciata ti accolgono due leoni che sostengono due colonne.
Tra le opere scultoree nel duomo si evidenzia il sarcofago in marmo di Verona utilizzato come altare.
Scendendo le scale, giungiamo nella cripta dove è possibile ammirare un raro gruppo scultoreo in legno.
Sul portale della facciata ti accolgono due leoni che sostengono due colonne.
Tra le opere scultoree nel duomo si evidenzia il sarcofago in marmo di Verona utilizzato come altare.
Scendendo le scale, giungiamo nella cripta dove è possibile ammirare un raro gruppo scultoreo in legno.
เขียนเมื่อ 9 ตุลาคม ค.ศ. 2022
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Gradirei conoscere gli orari di apertura della Cattedrale di Lodi. Grazie
เขียนเมื่อ 14 กุมภาพันธ์ 2017
Ciao Laura,
L'apertura è dalle 7.30 alle 12 e dalle 15.30 alle 19.30.
Le messe nei giorni feriali: 8.30 - 10.00 - 17.30 - 18.00 – 19.00
เขียนเมื่อ 14 กุมภาพันธ์ 2017
Ciao, Laura. Cosa desideri sapere su questa attrazione?
เขียนเมื่อ 14 กุมภาพันธ์ 2017
Io ci sono stato di domenica, e la chiusura mi pare fosse dalle 13 (ma posso sbagliarmi!) fino alle 15 o 15,30. Durante la chiusura si può però visitare l'attiguo museo
เขียนเมื่อ 16 กุมภาพันธ์ 2017
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